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The Irish composer Andrew Hamilton’s pointillist “Love and Goodness” required a lightness of touch that sometimes went beyond the abilities of the players. The quality of the playing was uniformly high, including buttery horn solos and fleet-footed trumpets.

Under the clear direction of the conductor Ted Hearne, the music moved fluidly through different moods, including a goofy approximation of a march. The resulting music had a viscous, elastic quality that seemed to coalesce into a pliable mass. Poppe equipped a septet of brass players with special mutes that enabled them to produce microtones. Perocco created arresting sounds, including buzzing drones and ululating vocalizations.Ī preoccupation with timbre and color informed the German composer Enno Poppe’s “Zug,” one of the program’s most original and polished compositions. Through the use of unorthodox techniques, including fluttering hand gestures inside the bells of instruments, Mr. Spatial arrangements also played a part in “vertigo parla” (“vertigo speaks”) by the Italian composer Filippo Perocco, which featured four brass players and two percussionists onstage and two pairs of players at the rear of the auditorium. From the rear balcony, an unseen ensemble of low brass instruments added chords like puffed-up clouds. One by one, they switched on lamps, illuminating their music stands as they shot out volleys of fast notes that crisscrossed in space, forming a fanfare. For Lainie Fefferman’s “Big Breath,” there was one trumpeter in each corner of the room. The most dramatic was Mario Diaz de Leon’s “Bellum.” Despite its use of electronics and prerecorded noise, this was the work with the most traditional aesthetic, both in its largely tonal harmonies and in the way it exploited a brass ensemble’s potential to scare the living daylights out of the listener - twice - as the auditorium was plunged into complete darkness while electronic growls and metallic crashes filled the space. On Thursday it celebrated its 10th anniversary at Roulette in Boerum Hill, Brooklyn, with a concert that included five world premieres. TILT Brass, an ensemble founded by the trombonist and composer Chris McIntyre, has been a force in this movement, dedicating itself to commissioning and performing new music for brass. But a new generation of players and composers is redefining the repertory and experimenting with different modes of expression. And they’re experts at wake-up-and-face-Judgment-Day.Īs typecasting goes, brass instruments have been assigned some of the juicier roles in music. It does not store any personal data.They can do majestic and they can do scary. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category 'Performance'. This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category 'Other. The cookies is used to store the user consent for the cookies in the category 'Necessary'. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category 'Functional'. The cookie is used to store the user consent for the cookies in the category 'Analytics'. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. No buttons or thumbsticks to fumble around with, just tilt. Help yourself to a variety of unique gametypes, unlockable weapons, and diabolical award challenges. Would you enjoy unleashing a screaming flock of heat-seeking cluster missiles? A flash-freezing blast of glacial ice? Or transforming into a buzz saw of razor-sharp spikes? Then you’re in luck.

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TILT TO LIVE SOUNDTRACK OFFLINE

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